Synopsis: Secrets can eat you up from the inside out, no matter what end of them you’re on . . .
Renowned sculptor Allison Weathers doesn’t believe in ghosts. But when a tragic twist of fate leads her to the small mountain town of Dawson Mills, Tennessee, she soon learns that the dead don't always stay silent. Shadows begin to shift in the rambling, old Victorian farmhouse she’s purchased. Voices come from nowhere. She can feel the eyes on her. Cold. Wicked.
Paul Bradford, a contractor who is bidding the renovation work on the house, believes it’s more than just Allison’s imagination conjuring up the paranormal activity. Toni Harper, a reporter for the local paper, concurs. She’s heard snippets of hand-over-the-mouth gossip from some of the town’s deputies who responded to calls in the middle of the night. Ghosts. Or so the former owner claimed in the few months before his death.
The secrets they unearth rock Allison right down to the core—a nightmare that’s just beginning. Thrust into a haunted world where the paranormal and evil collide, she has one hope of survival: unravel the sinister history buried for decades within the old farmhouse, and find the link to a muddled piece of her past.
Review: I absolutely adore horror stories with a creepy undertone. I also love well crafted horror stories that insert the shocks and gore cleverly. In many ways, Lost Girl elevates itself to something higher through its excellent telling of a paranormal mystery. The main character, Allison Weathers, is an artist practised in sculpture. The quiet town of Dawson Mills, wonderfully described amongst the real state of Tennessee, welcomes her, as does the house she moves into. But is there a reason why she ends up there?
Anne Francis Scott writes with a maturity that, amongst the deluge of YA/NA books out there, it would be easy to class this book along them. Nothing wrong with that in itself, but as I say, this is mature storytelling.
It is just so obvious on every page, that the author has taken her time to really craft a creepy tale. You will feel sympathy with the other characters around Allison, who know of her history.
Yes, she hears voices. Yes, the pipes in the old house creak and rattle. It's played down by her acquaintances, because the author is letting our viewpoint play out in the statements of these characters. They like Allison, as do we. But they are just a bit concerned that she is reading more into things than see them for what they actually are.
Every time she tries to focus on her work, something happens to scare her. What is clever is that she is not always on her own when it happens, but many times, she is. Given the author's articulate writing style, we are still in the loop when the crazies turn up. The question is, are these ghosts in Allison's mind, remnants of her recent, psychotic past, or are the ghostly apparitions for real?
There's a ramp up in the creep factor when Allison finds an old book in the house. The character featured in this book is so good, I would rate her the best character in the book. It's hard to say more without giving the story away, but this find was a core piece of the story's first third.
The story loses pace, or maybe that is the intention of the author, about half way through. This in itself is not a bad thing, because we need to take a breath and understand the events of the first half of the book. By the story's end, it wraps up rather brilliantly with the terrific ending. It's wonderful to know that there will be another story in the series.
The dialogue between Allison and her tormentors (or her tormented mind) is really well done. It takes an author of great skill to do that.
Personally, I would have wanted more horror in the story. The eerie feel is great and kept up throughout - not an easy task for anyone, but the author managed this feat. But maybe I have read too many horror books so I am rather desensitised about it. There is a hint of romance in the story too, but it does't detract from the main story, otherwise it might have been an irritating side-show. Honestly? If I have ghosts in the house and / or demons in my head, the last thing I want is romance. I'd probably end up taking an axe to the head of she whoever would take a fancy to me.
I will certainly be reading book two, and of course I would like to read the final book in due course, so the rating of 4 is a strong one, but provisional.After the story has been read as a whole, I may come back and revise the rating upwards.
Some great examples of the writing in this book:-
'Racked with shivers under her lightweight sleep-shirt, Allison wondered why her breath didn't frost in front of her.'
and
'Going through the days, living life, because that's what time forced you to do. And somewhere in the middle of it, hanging onto a thin fragment of hope.'
I enjoyed this.
Well done, Anne Francis Scott.
