Book Review: Lost Girl (Book One of the Lost Trilogy) by Anne Francis Scott

Synopsis: Secrets can eat you up from the inside out, no matter what end of them you’re on . . .

Renowned sculptor Allison Weathers doesn’t believe in ghosts. But when a tragic twist of fate leads her to the small mountain town of Dawson Mills, Tennessee, she soon learns that the dead don't always stay silent. Shadows begin to shift in the rambling, old Victorian farmhouse she’s purchased. Voices come from nowhere. She can feel the eyes on her. Cold. Wicked.

Paul Bradford, a contractor who is bidding the renovation work on the house, believes it’s more than just Allison’s imagination conjuring up the paranormal activity. Toni Harper, a reporter for the local paper, concurs. She’s heard snippets of hand-over-the-mouth gossip from some of the town’s deputies who responded to calls in the middle of the night. Ghosts. Or so the former owner claimed in the few months before his death.

The secrets they unearth rock Allison right down to the core—a nightmare that’s just beginning. Thrust into a haunted world where the paranormal and evil collide, she has one hope of survival: unravel the sinister history buried for decades within the old farmhouse, and find the link to a muddled piece of her past.

Review: I absolutely adore horror stories with a creepy undertone. I also love well crafted horror stories that insert the shocks and gore cleverly. In many ways, Lost Girl elevates itself to something higher through its excellent telling of a paranormal mystery. The main character, Allison Weathers, is an artist practised in sculpture. The quiet town of Dawson Mills, wonderfully described amongst the real state of Tennessee, welcomes her, as does the house she moves into. But is there a reason why she ends up there?

Anne Francis Scott writes with a maturity that, amongst the deluge of YA/NA books out there, it would be easy to class this book along them. Nothing wrong with that in itself, but as I say, this is mature storytelling. 

It is just so obvious on every page, that the author has taken her time to really craft a creepy tale. You will feel sympathy with the other characters around Allison, who know of her history.

Yes, she hears voices. Yes, the pipes in the old house creak and rattle. It's played down by her acquaintances, because the author is letting our viewpoint play out in the statements of these characters. They like Allison, as do we. But they are just a bit concerned that she is reading more into things than see them for what they actually are.

Every time she tries to focus on her work, something happens to scare her. What is clever is that she is not always on her own when it happens, but many times, she is. Given the author's articulate writing style, we are still in the loop when the crazies turn up. The question is, are these ghosts in Allison's mind, remnants of her recent, psychotic past, or are the ghostly apparitions for real?

There's a ramp up in the creep factor when Allison finds an old book in the house. The character featured in this book is so good, I would rate her the best character in the book. It's hard to say more without giving the story away, but this find was a core piece of the story's first third.

The story loses pace, or maybe that is the intention of the author, about half way through. This in itself is not a bad thing, because we need to take a breath and understand the events of the first half of the book. By the story's end, it wraps up rather brilliantly with the terrific ending. It's wonderful to know that there will be another story in the series.

The dialogue between Allison and her tormentors (or her tormented mind) is really well done. It takes an author of great skill to do that.

Personally, I would have wanted more horror in the story. The eerie feel is great and kept up throughout - not an easy task for anyone, but the author managed this feat. But maybe I have read too many horror books so I am rather desensitised about it. There is a hint of romance in the story too, but it does't detract from the main story, otherwise it might have been an irritating side-show. Honestly? If I have ghosts in the house and / or demons in my head, the last thing I want is romance. I'd probably end up taking an axe to the head of she whoever would take a fancy to me.

I will certainly be reading book two, and of course I would like to read the final book in due course, so the rating of 4 is a strong one, but provisional.After the story has been read as a whole, I may come back and revise the rating upwards. 

Some great examples of the writing in this book:-

'Racked with shivers under her lightweight sleep-shirt, Allison wondered why her breath didn't frost in front of her.' 

and

'Going through the days, living life, because that's what time forced you to do. And somewhere in the middle of it, hanging onto a thin fragment of hope.'

I enjoyed this.

Well done, Anne Francis Scott.

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Book Review: Das Vampir by Tom Reinhart

Synopsis: A short horror story from the author of Saint Monolith and Hegemonian, Das Vampir is an exciting tale with a different perspective on vampires. It's a dark and old school monster story; more akin to Bram Stoker or Nosferatu than the glitzy vampires so common today. It's told from two perspectives: The vampire's, with the loneliness of being undead, the fear of the sun, the hiding in nasty places, the uncontrollable need to feed on the living; and that of the victims, as they fall to a bloodthirsty predator. 

"Yea, though I walk through the valley of the shadow of death, I will fear no evil; For I have become evil, and I have become death, and I fear only the light of day." 

Review: Das Vampir is a welcome throwback to the true essence of the vampire. The author pays a generous homage to Bram Stoker, and you can see in his writing a real authority in understanding the vampire's true nature. 

The immortal existence is not played out for laughs, indeed Tom Reinhart makes us understand that it is not necessarily cool to be a vampire, and the story is all the better for it. The story is short but packs no less a punch of a full novel. I would have liked a little bit more character development of the non-vampire characters, but then again, the author makes no apology (nor should he) for the reason as to why they are there in the first place.

They merely serve the purpose of being fodder for this most evil creature. 

With this author's take on vampire lore, do not expect sparkles or seduction. It feeds, it kills, it yearns to, needs to do it all over again. In this respect, the character development is bang on. 

Mr Reinhart's vampire is a winner because it is a truly terrifying entity. And now onto the sequel!

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Book Review: The Luck of the Weissensteiners (Three Nations Trilogy, Book One) by Christoph Fischer

Synopsis: In the sleepy town of Bratislava in 1933 a romantic girl falls for a bookseller from Berlin. Greta Weissensteiner, daughter of a Jewish weaver, slowly settles in with the Winkelmeier clan just as the developments in Germany start to make waves in Europe. The political climate in the multifaceted cultural jigsaw puzzle of disintegrating Czechoslovakia becomes more complex and affects relations between the couple and the families.

The story follows their lot through the war with its predictable and also its unexpected turns and events and the equally hard times after.

Review: I like fiction books that can go outside of their basic remit to be a page turner, to excite and to thrill. In the case of Christoph Fischer's epic series, I can honestly say I was informed and educated also. The Luck of the Weissensteiners is a truly epic historical work of fiction. When you are going through the early pages, the author goes to great lengths to explain the historical accuracies, but also where it is based on pure storytelling.

Following the lives of the family, the stand-out characters for me are Greta and Wilma. As they make their journey from hell to safer parts of Europe, it is like we go on that journey with them. I was literally exhausted reading this book, but in a good way.

Not everything about the book is perfect, the pace is a little too slow at times, but when it picks up, boy does it. This is a tale that rewards the patient reader.

Having said that, the pace is fitting for the narrative. This is a long tale,indeed, a long journey. The group go through hell and I was stomach churned by some of the descriptions. If you are a little queasy about such things, get over it, because I think this marks out average story telling from great story telling.

I did not read this book quickly. Even with other demands on my time, it was quite something to finish this book. But the author has put his all into this, you can tell he is passionate about the story. I have tried in this review to talk about my feelings about the book, not so much the story itself, because this has been covered in the many good reviews already placed here.

I heartily recommend this book. Get a drink, a place by a warm fire, and get lost in this tale.

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Film Review: Spectre (Bond 24)

Director: Sam Mendes

Starring: Daniel Craig, Lea Seydoux, Ralph Fiennes, Monica Belluci, 

Ben Wishaw, Christoph Waltz

Vodka Martini, shaken not stirred. An Aston Martin. Beautiful girls. Amazing stunts. Great fist fights.

You could say that Spectre has it all. Opening up with a daring sequence in Mexico, celebrating the Day of the Dead, we see various figures wearing skeleton costumes. James Bond (Daniel Craig) is in one of those costumes, looking for his prey. Just before he manages to do that, there's time for a quick liaison with a Mexican beauty.

What follows is an extensive sequence with a helicopter, as 007 battles to stop the man, Sciarra, getting away. Bond eventually gets his man, and, as is customary with the franchise, we are treated to great visuals and a bombastic song.

Or are we? Any singer would have felt pressure to follow up Adele's Oscar winning Skyfall, but Sam Smith's Writing on the Wall is not just a bad Bond theme, it is a poor song in general. I have heard that people say it sounds like Michael Jackson's Earth Song. It doesn't.

What is it about the fourth film for an actor in the franchise? Pierce Brosnan's last outing as Bond was in 2002's Die Another Day. Madonna's theme song was awful - even though she is generally good, the song didn't fit, the film is generally considered the worst of the series, and in that I agree.

Fortunately, Daniel Craig's fourth turn as 007 is a great film, not hampered by a terrible song. Sam Smith became part of a select group of male singers to pen a Bond theme. He follows such luminaries as Matt Munro (From Russia With Love) and Tom Jones (Thunderball). The song, ultimately, was too big for Sam, and would have perhaps been better sung by a female vocalist. When the talk was about the song being about an emotional Bond, I didn't buy that at all.  Daniel Craig is a man's Bond, and women like him too.

If you can put the song out of your head, the next part of the film focusses on Bond being chastised for not being in Mexico on official government business. M (Ralph Fiennes) is even harder on Bond than his predecessor ( played by Judi Dench).

Not for the first time in the series, 007 is told to stand down, and worst of all, is told by Q (Ben Wishaw) that he cannot have the new super Aston Martin. That car is going to 009. 

It's not all bad. Bond is given a watch. When asked 'what does it do?' Q replies dryly, "It tells the time."

Spectre feels a lot like a pre-Christmas present to Bond fans. It cleverly links the three previous Craig movies, but there are generous nods to others in the series. So Spectre does not offer much in originality, but as a huge fan of the series, that hardly matters. 007 fans watch the movies to be entertained, and Bond 24 is a hugely entertaining movie.

Despite second billing, Monica Belluci doesn't have much screen time. But she is a stunning looking woman for 51, and the brief love scene with Bond is well done.

C is a new character and immediately locks horns with M. The idea is to link the Nine Eyes framework together so that it will be a kind of Bilderberg group for the digital age. Everyone in our world fears this kind of thing, and in Spectre it is used to chilling effect. The 'baddie', played by Christoph Waltz, is the mastermind of the organisation, and I really felt the initial scenes with him harkened back to the Sean Connery era Bond, with its Cold War overtones.

However, there is a problem with a number of post-Connery films. The movies all tend to lurch towards two and a half hours long. Even Skyfall (2012) suffered from a bloated final third. One wonders just how good a two hour Bond film would be.

Christoph Waltz plays Oberhauser, who is a whizz with a computer and uses one to inflict a lot of pain on 007. The scene isn't as intense as the 'rope' scene in Casino Royale, and again, there's a lot of deja vu about Spectre. It seems like it wants to please fans of the early movies with modern 21st century update.

There's nothing wrong with that. Spectre does what it does - entertains. Some reviews say that Daniel Craig has brought no humour to the series, but I disagree - some of his lines and situations are truly funny and enjoyable.


Better than Quantum of Solace, strong when compared to Skyfall, but way behind Casino Royale, Bond 24 can be considered a solid addition to the series.

If Spectre is to be Daniel Craig's swansong as 007, I think he is signing off the series on a high.

Previous review Crimson Peak Next A Hologram for the King

Film Review: Crimson Peak

Director: Gulliermo del Toro

Starring: Mia Wasikowska, Tom Hiddleston, Jessica Chastain

Gulliermo del Toro had been the original director slated to helm The Hobbit. When that film series floundered, I was left with a feeling of what might have been. Gulliermo del Toro had previously directed a truly great film, Pan's Labyrinth, which consistently hits many a film fan's top 100 list. It is an even more impressive feat considering the film is not in English, but Spanish.

Since I first heard about Crimson Peak, I was excited for its release. Gothic horror? Yes. Haunted House? You bet. Great cast? Of course. What could go wrong?






Well, the first thing to say about the film is that it is a truly visual masterpiece. The attention to detail of Victorian England, and the same period in the US, was superbly executed. del Toro has a great eye for detail. The buildings, the street scenes, the costumes all deserve a special mention.

My bet is that Crimson Peak will score many an award next year for art direction, special effects, costume design and photography.

The overall story is about a warning from Edith Cushing's (Mia Wasikowska) dead mother, who in ghost form warns the girl not to visit Crimson Peak. She does not know what it means, but she never forgot the warning. The introduction of the ghost, through the jumpy scenes through a mirror, to a door banging shut, may seem formulaic, but they are not - it's well done and gets the audience jumping early!

Edith's father is a rich man, and when Thomas Sharpe (Tom Hiddleston) approaches him for investment into a digging project, Mr Cushing (in a nod to horror great Peter Cushing) is less than impressed with the oh so English Baron.

Sharpe had previously failed to get investment for his project, and though Cushing doesn't know it, he really is the last chance for the young Baron.

Cushing promptly turns him down. Things are complicated further with Sharpe's interest in Edith, who is a writer of ghost stories, though yet to be a published one. When he suggests it is a good story, she becomes endeared to him, and he suggests to her father that he is in love with her.

Strike two for Sharpe. Cushing believes the young Baron to be a cad, a charlatan, and much worse.
He orders Sharpe to break his daughter's heart, and he will pay him to get out of her life. It's a rather sad scene when Sharpe tells Edith that her work is childish and amateur.

Of course, he really loves her, and the next day, when Mr Cushing is murdered (in a very brutal scene that will shock some viewers) attention moves to Sharpe, but by then, he has already returned to England, to his home at Crimson Peak.

Edith soon joins him, because she has no other family in the US. She believes he really loves her, but things are not quite right at the old house. Of course, when Edith learns of the house's name, she is reminded of her mother's warning.

Still, she wants to make it work with the Baron, and it is at this point we are introduced to his sinister sister, Lucille (Jessica Chastain). It's clear from early on that the two women are not destined to get on, with Thomas and Lucille appearing a little too close for a brother and sister to be.

Soon after, Sharpe marries Edith, much to the annoyance of Lucille, and when they stay away one night to consumate their marriage, the two women have a showdown, in which Edith shows her anger by saying 'Lucille - I am his wife.'

Lucille continues to act odd, barely holding back her contempt for Edith. When she sees ghosts in the house, her statements are dismissed as 'well, it's an old house'.

Edith is also warned not to go to certain parts of the house, but needs must, and as the story unfolds, we realise the Baron's true intent, and his sister's plan for Edith.

To say any more would reveal too many spoilers. Let's just cover off a few things where the film fails to deliver.

You see, I wanted to see a gothic horror film. Crimson Peak is more of a gothic romance - a bloody, brilliantly executed gothic romance, but as a horror, it misses a few targets.

The ghosts, for example, are wonderful to look at, rather than scary. But I don't want to deal the film down, because ultimately I enjoyed it and would recommend it.

All three leads give it their all. Jessica Chastain was especially wonderful for me, and Mia Wasikowska makes for an interesting heroine who has a spirit enough to give other modern heroines like Katniss Everdeen a run for their money.

The ending is great, but the story is always engaging. You will want to know what happens. Whilst the violence is sporadic, it is very strong when it happens. The implied theme of incest will turn off some viewers too. But I hope del Toro returns to the horror theme in the future.

Previous review: Macbeth Next: Spectre 

Film Review: Macbeth

Director: Justin Kurzel
Starring: Michael Fassbender, Marion Cotillard, David Thewlis

This is the first of my film reviews for the blog. I hope to add more over time. I saw this film two weeks ago at the cinema.

Macbeth is one of Shakespeare's most infamous plays, often referred to as The Scottish Play so as not to add a curse to those talking about it. I read it many times as a child, but not had any interaction with it as an adult, so approaching this now was interesting. Would I still like it?

Perhaps 'like' is a strange word to use. It is recited in Shakespeare's English, of course, but spoken in a Scottish accent (Watch out for a turn by David Thewlis, Harry Potter's very own Professor Lupin, as King Duncan).

The story is well known but I will reiterate the film's take on it, which thankfully does not deviate much from the original script.

In essence, Macbeth (Michael Fassbender) is a great general in the King's army, and on completing a battle, he meets three witches who profess that it may be time for a new King to rise. It is all done through symbolism, for example, one of the witches holds a dagger covered in blood and infers that a time of change may be at hand.

Macbeth, like many of his men, is tired of an apparently weak King. Duncan leads by inertia rather than via strong command, and on discussing the strange events of the day with Lady Macbeth (Marion Cotillard) 

he decides, or rather she does, that they should in fact murder the King. They have sex, and then plan to execute their plot the very next day. Sex and planning a coup does not a good combination make! Lady Macbeth wants to seize the opportunity, telling her husband that he can blame the murder on the King's incompetent men (they aren't, but he makes it so by getting them drunk).

Apart from the extremely violent opening battle scene, the murder of King Duncan, via a simple knife, is very bloody and dramatic. I saw some people looking away when the scene played out.

Lady Macbeth chastises her husband when he fails to leave the bloody knife at the scene. He goes back and plants it. The following day, when the King's body is discovered, no-one would consider blaming Macbeth. But there is no heir, no-one who could take over. 

Through careful and ruthless manipulation of the Court, Lady Macbeth ensures her husband in crowned King, with herself as his Queen.

As with many of Shakespeare's plays, the happiness cannot last, and Macbeth begins to rue what he has done, and slowly, both of them descend into madness.

So, is Macbeth any good? Does it work on the big screen? My answer would be a resounding yes. 

The direction is fantastic, creating a hellish version of Scotland with red fiery hues adorning the screen. Both leads are tremendous, and I say that without having seen the talented Michael Fassbender in any other film.

40 year old Marion Cotillard looks like she is in her late 20s, with her olive skin and elven looks, she was a treat for my eyes. Her obvious beauty takes nothing away from her considerable acting talent. I would like to see her amongst the names for an Oscar next year.

Macbeth is bloody, brutal and brilliant. Find the cinema with the biggest screen possible, and enjoy every moment.

Book Review: The Little Book of Horrors by Lacey Lane

Synopsis: Three chiling tales to mess with your mind. The tales that can be found in this book are Karma's a Psychopath, Bloodlust and The Monster Within.

Warning. This book contains explicit content.

Review: A collection of three short stories that doesn't pull its punches, the aptly named Little Book of Horrors will have you reaching for the light switch - that's if you dared to turn it off and foolishly try to go to sleep.

The first story, Karma's A Psychopath, is a clever tale that makes us think how we should treat those around us. You'll be feeling for the 'hero' of the story, that's for sure. Even though the brutality and horror pervading throughout this book is stark and horrifying, it remains a compelling read. This one really messed with my head.

Bloodlust was probably my favourite of the three, given my fascination with vampires, and especially of the female variety. This tale is truly macabre, disturbing and viciously satisfying at the end.

The Monster Within is a clever tale that never tries to trick its readers with a big Aha moment. It is subtle in its growth, and as it reaches its conclusion, one wonders how they got there.

As a collection, it certainly fits to and adds much to the well worn horror genre, but it also would fit as a psychological horror too. Over the course of the pages, you feel like you know the characters.

The narrative is sharp and clever.Hence why you will be thinking about these stories long after you have closed the book and turned the light off. Or maybe you'll choose to leave it on.

Suitable for Halloween, huddled around the camp fire? I don't know. I would be suspicious of someone telling me these tales!

Also suitable only truly for a mature audience, and definitely over 18's - though if I was at school, I'd peek at this - it's a deliciously wicked treat.

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